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Radio Robotic - new music discovery radio

Radio Robotic is a new music discovery radio station dedicated to indie, alternative, and emerging artists from around the world. We focus on fresh releases and hidden gems you won’t hear on mainstream or algorithm-driven platforms. Tune in 24/7 to discover your next favorite band and explore new sounds curated by real humans, not algorithms.

ROBOTIC

May '26

Episode 2

RADIO

FEATURING: Lime Garden, Witch Post, Rolling Blackouts Coastal Fever, Sorry, Holy Fuck, Water From Your Eyes, Kim Gordon, IST IST, The AA, Matt Berninger, Father John Misty, Girl Scout, Softcult, & Still Blank.

ALT | INDIE | RETRO | RADIO

We play both types of music. Rock, and fashionable electro indie ironic retro dance experimental pop.

There comes an age when the mirror ceases to flatter and begins, quietly, to testify.

For Lime Garden, that age is twenty-three.

The Brighton quartet, Lime Garden, have spent the better part of the last few years making music that seems to grin while it bares its teeth. Since forming in 2017, they have built a reputation for a strain of indie pop they once called ‘wonk pop’, a sly collision of dancefloor instinct, wiry guitars and a peculiar English unease. Their debut album, One More Thing, arrived in 2024. Their second, Maybe Not Tonight, followed on 10 April 2026 through So Young Records. Its opening track, and one of its sharpest admissions of self-scrutiny, is 23.

Released on 20 January 2026 as the album’s lead single, ‘23’ did not arrive as some loose fragment thrown ahead of a record. It came as the first scene in a larger night. Maybe Not Tonight is structured as an evening out, beginning with anticipation and ending somewhere nearer melancholy, chaos and self-reckoning. ‘23’ opens the door.

And what a curious little wound of a song it is.

At under three minutes, ‘23’ moves with the quick pulse of somebody trying not to think too hard. The bassline, by the band’s own account, came out of a rainy January jam shaped by the loose-limbed swagger of Happy Mondays. It has that same gait: bright-eyed, slightly lopsided, walking into the night as if trouble were part of the entertainment.

Yet beneath the movement there is a bruise.

Vocalist Chloe Howard has said the song’s central idea came from a dream in which she was speaking to her younger self, ‘essentially ripping into my own personality and lack of success’. That is the engine of ‘23’: not youthful abandon, but the terrible moment when youth begins to look over its shoulder. Twenty-three is hardly old, God knows, but it is old enough to notice the first faint panic. Old enough to suspect that time has begun its quiet theft.

This is where Lime Garden become more interesting than many of their peers.

Plenty of bands can write about a night out. Plenty can bottle the fizz of cheap lights, sticky floors and the promise of becoming briefly unrecognisable. What Lime Garden understand is that the dancefloor has always been a chapel for doubt. Under the rhythm, there is inventory. Regret. Appraisal. The small, merciless audit a person conducts on themselves when the room grows too loud.

‘23’ carries precisely that tension.

It sounds, at first, almost buoyant. There is propulsion in it, a forward lean, something restless and almost insolent. Then the song turns its face, and you catch what is really there: the low-grade dread of measuring yourself against the phantom you once thought you would become.

That is a very English sadness.

Not melodrama. Not collapse. Just the peculiar humiliation of realising you have survived long enough to become disappointed in yourself.

Lime Garden play this beautifully. They never overstate it. The track remains taut, clipped, alive. Guitars flicker rather than brood. The rhythm section keeps everything moving, as though standing still might force a confession. In that sense, ‘23’ is clever in a way many contemporary indie singles are not. It does not merely describe anxiety, it enacts avoidance.

As the opening track of Maybe Not Tonight, it also sets out the album’s emotional architecture. This is not simply a record about hedonism. It is a record about what happens when pleasure and self-knowledge enter the same room. The album’s producer, Charlie Andrew, helps give the material its tensile snap, but the central intelligence remains the band’s own.

And perhaps that is what lingers most about ‘23’.

Not its hooks, though it has them. Not its bounce, though it moves. What lingers is the sensation of youth becoming conscious of itself. The first glimpse of adulthood not as freedom, but as witness.

There is something almost cruelly recognisable in that.

At twenty-three, the world still expects radiance. It expects certainty. It expects some graceful upward line. But the truth, more often, is stranger than that. You are still becoming. Still inventing yourself. Still standing in bad light, trying to decide whether what you feel is hunger or fear.

Lime Garden know this. That is why ‘23’ lands.

It is not an anthem for being young. It is a song about the moment youth begins to ask for an explanation.

And sometimes, beneath the lights, with the bass pushing at your ribs and the night opening like a promise you no longer quite trust, that question can sound louder than any chorus.

Lime Garden - 23 | Witch Post - Worry Angel | Rolling Blackouts Coastal Fever - Sunburned in London | Sorry - Billy Elliot | Holy Fuck - Evie | Water From Your Eyes - Born 4 | Kim Gordon - NOT TODAY | IST IST - Obligations | The AA - Inner Sun | Matt Berninger - Blue Monday | Father John Misty - The Old Law | Girl Scout - Operator | Softcult - Queen Of Nothing | Still Blank - Get Over It | She's In Parties - R.E.M. |

Holy Moly: the Music of Holy Fuck

2 days ago
5 min read

Holy Fuck: The Unpredictable Wizards of Electronic Music

Get ready to dive into the wild world of Holy Fuck, where the beats are as unpredictable as a rollercoaster ride and the vibes are always electric! This Canadian band has been shaking up the electronic music scene, and trust us, they’re not your average DJ setup. Nope, Holy Fuck is all about that raw, improvisational magic that happens when live instrumentation crashes into electronic wizardry.

Imagine a soundscape where synthesizers and drums dance together in a glorious chaos. That’s the essence of Holy Fuck. They’ve carved out a niche that’s as unique as a snowflake, blending genres and styles into a sonic experience that feels both familiar and completely out of this world. Their music is an adventure—one moment you’re bouncing along to a catchy groove, and the next, you’re swept away into a whirlwind of experimental sounds.

“Evie”: A Journey Through Sound

Let’s talk about one of their standout tracks: “Evie.” Oh boy, this track is a testament to Holy Fuck’s ever-evolving artistry. It’s like a musical kaleidoscope, shifting and changing with every listen. From the moment those infectious beats drop, you know you’re in for a ride. “Evie” captures the band’s experimental spirit perfectly, showcasing their ability to push boundaries and redefine what electronic music can be.

With each note, you can feel the energy radiating from the band, as if they’re inviting you to join them on this wild journey. There’s something about the way they blend live instruments with electronic elements that makes you want to move, to dance, to lose yourself in the moment. It’s an experience that’s both thrilling and liberating, a reminder that music is meant to be felt as much as it is to be heard.

https://www.youtube.com/watch?v=4aXcoxjJS3U

The Holy Fuck Experience

So, what’s the secret sauce behind Holy Fuck’s captivating sound? It’s all about the spontaneity. Their live shows are legendary for their improvisational flair, where no two performances are ever the same. You might catch them jamming out with a new twist on a classic track or diving headfirst into experimental territory. It’s a celebration of creativity, and you can feel the connection between the band and their audience as they ride the waves of sound together.

In a world where music often feels formulaic, Holy Fuck stands out as a beacon of innovation and excitement. They remind us that music is more than just a product; it’s a living, breathing entity that evolves and grows. So, whether you’re a die-hard fan or a curious newcomer, dive into the world of Holy Fuck, and let their electrifying sound take you on a journey you won’t forget!

Eye-level view of a synthesizer and drum machine setup on a dimly lit stage — Holy Fuck can fit onto four small carpets

The Origins of Holy Fuck’s Sound

Holy Fuck emerged from Toronto’s vibrant music scene with a fresh approach to electronic music. Unlike many electronic acts that rely heavily on pre-programmed sequences, Holy Fuck emphasizes live performance and improvisation. Their music is built around real-time manipulation of sounds using analog equipment, effects pedals, and traditional instruments like drums and guitars.

This approach creates a dynamic and organic sound that feels alive and spontaneous. The band’s willingness to experiment with noise, rhythm, and texture sets them apart from more polished, studio-produced electronic music. Their performances often feel like a conversation between band members and their instruments, where each moment is unique.

What Makes "Evie" Stand Out

"Evie" is a track that highlights Holy Fuck’s ability to blend complexity with accessibility. The song features layered synths, pulsating beats, and a driving rhythm that keeps listeners hooked from start to finish. It showcases the band’s skill in creating tension and release through evolving soundscapes.

The track’s structure is not rigid; instead, it flows naturally, reflecting the band’s improvisational roots. The use of analog synths gives "Evie" a warm, textured sound that contrasts with the crispness of digital production. This balance between rawness and precision is a hallmark of Holy Fuck’s music.

The Evolution of Holy Fuck’s Music Through "Evie"

Over the years, Holy Fuck has evolved from a purely experimental group into a band that embraces melody and songcraft without losing their edge. "Evie" represents this evolution by combining their signature noise elements with more structured musical ideas.

The track’s progression reveals a band confident in blending chaos and order. It moves through different moods, from intense and driving to more subdued and reflective moments. This dynamic range keeps the listener engaged and showcases the band’s growth as musicians.

Live Performances and Audience Connection

Holy Fuck’s live shows are a crucial part of their identity. The energy and spontaneity of their performances bring tracks like "Evie" to life in new ways. Each live rendition can differ significantly, as the band members respond to the crowd and the moment.

This connection with the audience adds another layer to their music. Fans appreciate the unpredictability and the sense that they are witnessing something unique every time. The live experience reinforces the band’s commitment to authenticity and creativity.

Influences and Inspirations Behind "Evie"

The sound of "Evie" and Holy Fuck’s broader work draws from a wide range of influences. Elements of krautrock, noise rock, and classic electronic pioneers can be heard throughout their music. The band’s use of analog gear pays homage to early electronic music while pushing boundaries with modern techniques.

Their willingness to experiment with sound textures and rhythms reflects a deep curiosity and respect for musical innovation. This blend of old and new creates a sound that feels both familiar and fresh.

How "Evie" Reflects Broader Trends in Electronic Music

"Evie" also fits into a larger movement within electronic music that values live instrumentation and improvisation. As electronic music continues to evolve, many artists seek to break away from purely digital production and incorporate more human elements.

Holy Fuck’s approach demonstrates how electronic music can be both experimental and emotionally engaging. Their work encourages listeners to appreciate the craft behind sound creation and the power of live performance.

Practical Takeaways for Musicians and Fans

For musicians interested in Holy Fuck’s style, "Evie" offers several lessons:

Embrace improvisation: Allowing space for spontaneous creation can lead to unique and compelling music.
Use analog equipment: Incorporating analog synths and effects can add warmth and character.
Balance structure and chaos: Combining planned elements with unpredictable moments keeps music engaging.
Focus on live performance: Bringing energy and interaction to live shows enhances the audience experience.

Fans of electronic music will find "Evie" a rewarding listen that challenges expectations and invites deeper exploration of sound.

The Future of Holy Fuck and Their Musical Journey

As Holy Fuck continues to evolve, tracks like "Evie" suggest a band that is not afraid to explore new territories while staying true to their roots. Their commitment to live performance and sonic experimentation promises exciting developments ahead.

Listeners can look forward to more music that pushes boundaries and offers fresh perspectives on electronic sound. Holy Fuck’s journey shows how innovation and authenticity can coexist in a rapidly changing musical landscape.

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