Radio Robotic - new music discovery radio
Radio Robotic is a new music discovery radio station dedicated to indie, alternative, and emerging artists from around the world. We focus on fresh releases and hidden gems you won’t hear on mainstream or algorithm-driven platforms. Tune in 24/7 to discover your next favorite band and explore new sounds curated by real humans, not algorithms.
ROBOTIC
Mar '26
Episode 1
RADIO
FEATURING: Father John Misty, Girl Scout, Softcult, Still Blank. She's In Parties, Amamelia, Team Trust, Bee Bee Sea, Art School Girlfriend, Westside Cowboy, Ecca Vandal, HighSchool, Love Spells, & Jonathan Bree.
ALT | INDIE | RETRO | RADIO
When the world's gone crazy, we offer the good kind of insanity.
Father John Misty - The Old Law | Girl Scout - Operator | Softcult - Queen Of Nothing | Still Blank - Get Over It | She's In Parties - R.E.M. | Amamelia - Summerlong | Team Trust - Together, Together | Bee Bee Sea - Angel | Art School Girlfriend - The Peaks | Westside Cowboy - Can't See | Ecca Vandal - MOLLY | HighSchool - Sony Ericsson | Love Spells - I Wish I Didn't Love You |

Some Like It Hot is a 1959 film starring Marilyn Monroe, Tony Curtis and Jack Lemmon about a group of rogue musicians on the adventure path. It is funny, sexy, rambunctious and evergreen – a showcase of a triple-threat cast at full-throttle. Some Like It Hot is also the new album, out October 17th 2025 via Matador Records, by London three-piece bar italia. Certain parallels are perhaps not accidental. It pulses with romance, intrigue, self-discovery and rapture over lustful rockers, spellbinding folk pop, punch-drunk ballads and undefinable moments that sneak up on you like a burst of 5pm sunshine. The record is the culmination of the joint inner world of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton – three singer-songwriters who have transcended their underground roots to embrace a bold, widescreen horizon.
The synergy of this three-way blunt rotation is embedded in the trio’s DNA. Cristante brings a studied actors’ sensibility to vocals ranging from honeyed (‘Marble Arch’) to hell-bent and possessed (‘rooster’). Fehmi ranges from airy, brooding baritone (‘Lioness’) to mic-chewing megaphone histrionics (‘omni shambles’). Fenton, a wispy tenor, can veer between mystical melodicism and soaring blue-eyed soul within the same 8 bars (‘Plastered’).
The cultivation of their sound was chiseled via a relentless writing and touring schedule. With over 160 shows worldwide across 2023-2024, they dispelled any mystique by becoming an exhibitionist and muscular five-piece that gives multiple encores – equally comfortable at festival mosh-pit incitement and moments of pin-drop intimacy.
bar italia have married their serious and heartfelt subject matter with a joy in showmanship. These are songs that twist their quirks into huge choruses, playing with self-identity, emotion and performance until the lines blur. That 1959 Hollywood classic from which the album takes its name ends with the immortal line: “Well, nobody’s perfect.” This, however, comes pretty close.






















































